I especially appreciate the form factor.Allen & Heath has built a good reputation and become popular with their larger digital consoles. For the most portable solution in the QU series, Allen and Heath offers the QU-PAC, with 16 recallable AnalogiQ preamps, 12 mix outputs, a 32 x 32 USB recording interface, and four FX engines. An iPad app is available for wireless mixing. They allow you to record audio to a Mac computer or a USB hard drive.Mac or Windows.The Qu-16, which streets at $1,999, is a whole lot of digital mixer in a compact rack mountable form. Format the USB device on the Qu mixer before recording. ALLEN & HEATH Qu-16 Manual Online: Usb Recording And Playback. You may need to first format the USB key on a PC or Mac (FAT 32), then try.So I downloaded the latest version from the Allen & Heath web site and installed it hello custom fader layers and more I did have to change my USB stick for a larger one because the QU16 prefers to see at least 4GB when formatting, but after that the whole process was automatic and painless, and the additional features were available as. An unformatted USB key plugged into Qu-Drive is not always recognized by the mixer.
Format Usb For Allen And Heath Qu16 Manual That ComesThere are 17 moving ALPS faders (16 mono inputs and a stereo master) that allow accurate recall when different mixes are called up for monitors or scenes. Phantom power is also accessed through the touchscreen. The manual that comes with the console is a good start.The Qu-16 has an 800×480 color touchscreen that lets users access and adjust all settings, from individual input channel processing, onboard effects and metering to real time analyzer (RTA), USB audio control and overall function set-up (and more). And even if you have, it would be wise to get to know some of the design features this mixer has to offer. There’s going to be a little learning curve to use the Qu-16, especially if you don’t have experience using digital boards.FX are fed back into the mix through the FX returns.All standard processing is handled via the SuperStrip located in the upper left part of the board. Even more FX will be able to be added to the library with future firmware releases. You can swap out the different FX for different sessions. By pressing the FX button next to the touch screen and pressing the function key to access the library, you can load four of the many onboard effects that include various reverbs, delays, ADT (automatic double tracking), chorus, symphonic chorus, flanger, phaser and gated reverb.By holding down PAFL button and pressing the select at the same time, you can switch between pre- and post-fader listening.The Qu-16 supports multi-track audio streaming of channels 1 to 16 along with the Main L-R mix and three selectable stereo pairs via USB or any Mac-based DAW that supports Core Audio. Up to four mute groups can be assigned to the soft keys on the right side of the console.The PAFL (pre/after fader level) buttons can be set for monitoring either way. By selecting an input or a mix channel, it appears in the touchscreen, where all parameters can be adjusted and tweaked.Mute groups can be set up in the touch screen by selecting the function key while in any routing screen. I connected the hard drive through the USB A connector on the front of the console. Along with the Qu-16 I received for the review, I got a pre-formatted USB hard drive. MIDI control can be sent over the USB connection so you can easily map the faders to the tracks of your DAW.The Qu-16 has an integrated multi-track USB recorder, providing 18 channels of 48kHz 24-bit recording and playback straight to/from a USB hard drive. Photography editor for macAnother plus of the dSNAKE stageboxes is full control of the preamps, either remotely from the Qu-16 or via the Qu-Pad iPad app.Both the Qu-16 and the dSnake are fully compatible with Allen & Heath’s ME Personal Mixing System. The dSNAKE format boasts a transport latency of only 105 microsesonds over cable runs of up to 390 feet. The dSNAKE port allows you to connect to one of Allen & Heath’s GLD series of stageboxes, such as the AR2412 or AR84. Besides being able to capture/archive recordings of shows, the Qu-Drive feature is ideal for virtual sound checking.While you can use an analog snake, the Qu-16 has the ability to add a Cat-5 digital snake utilizing the dSNAKE remote audio port on the back of the mixer. It’s ultra-clean sounding — notable are smooth EQs and the excellent AnalogiQ™ total recall preamps, which feature zero crossing detection and an advanced padless 1 dB/step gain stage, which are transparent and offer ample headroom.The Qu-16 is a compact, rack-mountable digital mixer in a small footprint featuring total recall of all console parameters, high-end preamps and DSP in a tough, roadworthy package that also supports dSNAKE stageboxes, ME-1 personal mixers, iPad control and simple direct multitrack recording.PROS: Clean sound, solid build, excellent DSP, easy recording options.CONS: Some learning curve required no quick-start guide. Sure, you can just use it without understanding what’s going on under the layers, but that’s like having an Indy race car and using it to drive to the supermarket.There are a lot of great features that, until now, you could only find on much pricier digital boards. Trying to learn about all that this mixer can do is really the only challenge, and some kind of quick-start guide would be a nice addition to the package.
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